uuupah/11ty_neocities
1
0
Fork 0
Code Issues Pull Requests Packages Projects Releases Wiki Activity

grammar fixes

Browse Source
This commit is contained in:
jonathan
2023-07-31 22:53:03 +09:30
parent 7aec33733d
commit 10f97599cf
1 changed files with 3 additions and 3 deletions
Download Patch File Download Diff File Expand all files Collapse all files

4
src/music/three_albums_july_2023.md
View File

@ -18,9 +18,9 @@ listening to this album sends me straight into the nightclub scene from the matr
### 1. radio therapy part 1 - sci clone ### 1. radio therapy part 1 - sci clone
<iframe style="border: 0; width: 100%; height: 320px;" src="https://bandcamp.com/EmbeddedPlayer/album=3510816739/size=large/bgcol=ffffff/linkcol=0687f5/artwork=small/transparent=true/" seamless><a href="https://metalheadz.bandcamp.com/album/radio-therapy-part-1">Radio Therapy - Part 1 by Sci-Clone</a></iframe> <iframe style="border: 0; width: 100%; height: 320px;" src="https://bandcamp.com/EmbeddedPlayer/album=3510816739/size=large/bgcol=ffffff/linkcol=0687f5/artwork=small/transparent=true/" seamless><a href="https://metalheadz.bandcamp.com/album/radio-therapy-part-1">Radio Therapy - Part 1 by Sci-Clone</a></iframe>
rym assigns the genre "jazzstep" to radio therapy part 1 which is frankly fucking foul. who the fuck is making up genre names these days. thankfully it has broken beat and liquid dnb as kinda "sub-genres" which works just fine, because this album is a classic liquid dnb piece in my opinion. the first track opens with a classic start-of-album answering machine message talking about how the caller finds sci-clone exciting and relaxing and says that it "takes them back to all the places that i've been that i love"; i'm not sure how intentional it was, but the positivity coming off of this opening slice immediately rubs off on you and primes you to just have a really pleasant time. the sound is very reminiscent of something you might find in a classic 90's racing game, but it doesn't feel like they're chasing an aesthetic, and rather just feels like the organic feel of a pair of guys that fell into a particular type of music that they like to make rym assigns the genre "jazzstep" to radio therapy part 1 which is frankly foul. who is making up genre names these days? thankfully it has broken beat and liquid dnb as kinda "sub-genres" which works just fine, because this album is a classic liquid dnb piece in my opinion. the first track opens with a classic start-of-album answering machine message talking about how the caller finds sci-clone exciting and relaxing and says that it "takes them back to all the places that i've been that i love"; i'm not sure how intentional it was, but the positivity coming off of this opening slice immediately rubs off on you and primes you to just have a really pleasant time. the sound is very reminiscent of something you might find in a classic 90's racing game, but it doesn't feel like they're chasing an aesthetic, and rather just feels like the organic feel of a pair of guys that fell into a particular type of music that they like to make
### honourable mention: oneohtrix point never ### honourable mention: oneohtrix point never
<img style="max-width: 360px;" src="/_assets/img/three_albums_july_2023/meirl.jpg" title="this is me btw. if you're mean to me this is who you're being mean to :("> <img style="max-width: 360px;" src="/_assets/img/three_albums_july_2023/meirl.jpg" title="this is me btw. if you're mean to me this is who you're being mean to :(">
oneohtrix point never is doing an australian tour and i made it to the local gig! i'm not sure that i've aired my gripes with live electronic music, and this set definitely isn't immune to my normal criticisms, but it was still a really fun experience. the skinny is that many electronic artistss make pieces that are too complicated to perform live, even without a lot of help, but people are there to hear the tracks that they know, so they're forced to either play a cut down version of the classics or to find a way to "perform" them, which normally just means plugging all of the stems into a midi controller and making fine adjustments during the show. my favourite part was the encore, where he went up and performed a live composition on his two synths and decks, although you can sort of see why the full tracks require a little more fuss. in any case, still on the hunt for some artists that are happy to make some toned-down versions of their classics, or to play their classics but with more time between transitions to make up for the manual overhead oneohtrix point never is doing an australian tour and i made it to the local gig! i'm not sure that i've aired my gripes with live electronic music, and this set definitely isn't immune to my normal criticisms, but it was still a really fun experience. the skinny is that many electronic artists make pieces that are too complicated to perform live, but people are there to hear the tracks that they know, so they're forced to either play a cut down version of the classics or to find a way to "perform" them, which normally just means plugging all of the stems into a midi controller and making fine adjustments during the show. my favourite part was the encore, where he went up and performed a live composition on his two synths and decks, although you can sort of see why the full tracks require a little more fuss. in any case, still on the hunt for some artists that are happy to make some toned-down versions of their classics, or to play their classics but with more time between transitions to make up for the manual overhead