From 42855e1292c2a60d51beeae6a4892977c129b283 Mon Sep 17 00:00:00 2001 From: jonathan Date: Mon, 3 Apr 2023 15:26:12 +0930 Subject: [PATCH] fix some spelling mistakes --- src/music/three_albums_march_2023.md | 6 +++--- 1 file changed, 3 insertions(+), 3 deletions(-) diff --git a/src/music/three_albums_march_2023.md b/src/music/three_albums_march_2023.md index 867fed4..2346d17 100644 --- a/src/music/three_albums_march_2023.md +++ b/src/music/three_albums_march_2023.md @@ -12,7 +12,7 @@ i thought that last month was a bumper post, but if my draft notes are anything the outside observer might see ambient music as just yoga music or museum ambience, but it spans a super wide range of instrument suites and intentions: i've talked previously about my love for arctic ambient, which brings images of desolate landscapes to the minds eye, largely by layering different drones and slow mechanical noises. i'm also into field recording music, which uses ambient noises from nature as its own kind of instrument; i think it's a super unique style and i can't really find an equivalent in the rest of the music that i know -takashi kokubo has been using field recordings in his music for decades now, and while i'm specifically recommending forest of ion this month, i think you'd have a good time with just about any of his albums. this particular album shifts between a synthesised, harmony, a string melody (with some woodwind highlights), an a field recording backing track. the songs are pretty long, so there's plenty of time to focus on one particular element before letting it fade into the background and let the chirping of birds and rustling leaves come back in. i popped on this album when i was feeling particularly overwhelmed last week and just laid on the floor for half an hour; i highly recommend the experience +takashi kokubo has been using field recordings in his music for decades now, and while i'm specifically recommending forest of ion this month, i think you'd have a good time with just about any of his albums. this particular album shifts between a synthesised harmony, a string melody (with some woodwind highlights), and a field recording backing track. the songs are pretty long, so there's plenty of time to focus on one particular element before letting it fade into the background and let the chirping of birds and rustling leaves come back in. i popped on this album when i was feeling particularly overwhelmed last week and just laid on the floor for half an hour; i highly recommend the experience ### 2. 10000 gecs - 100 gecs @@ -63,7 +63,7 @@ besides that, i don't really have anything super incredible to say about them, e -i've loved the splatoon soundtracks for ages, long before i actually got horribly addicted to the game itself. 3 is unique when compared to the prior games due to the inclusion of delay lama, a plugin for digital audio workstations that tries to emulate the way that vowel sounds are made by a human voice. this track was included fairly early in to the story mode so the first time i heard it i just went "huh that's pretty funky" and kept going, but now that i've been made aware it's got me even more jazzed about the creativity of this ost! +i've loved the splatoon soundtracks for ages, long before i actually got horribly addicted to the game itself. 3 is unique when compared to the prior games due to the inclusion of delay lama, a plugin for digital audio workstations that tries to emulate the way that vowel sounds are made by a human voice. this track was included fairly early in to the story mode so the first time i heard it i just went "huh that's pretty funky" and kept going, but now that i've been made aware it's got me even more jazzed about the creativity of this ost #### virtual insanity - jamiroquai @@ -75,4 +75,4 @@ if [lessons in meme culture](https://www.youtube.com/watch?v=V7TaN114Y4Q) is any -this track is actually one of the first songs that i ever bought back in high school! the piece takes elements from a field recording of a spring factory in kanagawa and turns it into a bouncy driven idm track, combining synths and individual mechanical samples. i stumbled back onto it by complete chance, and it inspired me to dig around the field recording world a bit more (hence takashi kokubo appearing on the top 3) \ No newline at end of file +this track is actually one of the first songs that i ever bought back in high school! the piece takes elements from a field recording of a spring factory in kanagawa and turns it into a bouncy driven idm track, combining synths and individual mechanical samples. i stumbled back onto it by complete chance and it was a nice reminder that my obsession with these kinds of techniques has been around for quite a while \ No newline at end of file